|Season 2, Episode 1|
|Airdate:||September 25, 2009 (US) |
October 20, 2009 (UK)
|Written By:||Joss Whedon|
|Directed By:||Joss Whedon|
|Dollhouse Episode Guide|
Picking up a few months after the first season finale, Echo now more frequently glitches her past "imprints" following the composite event induced by Alpha. On a long-term engagement, she seduces and weds a wealthy and charismatic British businessmen, Martin Klar, an arms dealer who Agent Ballard never closed the case on as an FBI agent. While the engagement is compromised after Ballard is spotted with Echo's identity, Roma Klar, after she experiences some head trauma he is able to trigger the emergence of her past personalities, particularly the thug from the Chinese restaurant. Echo manages to bring down Klar and he is brought to justice. In the Dollhouse, the blank Echo confesses to Paul that she remembers everything and wants help "saving" her fellow Actives. He promises to help her do this, and accepts Adelle DeWitt's offer to become Echo's new handler.
Claire Saunders struggles with being an Active and makes Topher the target of her aggression. She begins second-guessing her own identity, and purposes, and finally breaks down; the fear of dying; while not "real", Claire is as attached to her memories and identity as anyone. Boyd attempts to help Saunders with her crises. He suggests that Adelle would authorize the scar-treatment program used on Victor, and perhaps even return her to her "real" identity, but she declines. Boyd invites her out of the house on a date, but she explains the various phobias which Topher made integral to her personality. Boyd suggests she try and move past them, like real people do; unable to find peace within the Dollhouse, Claire finally tries to find herself outside, and escapes.
|Daniel Perrin||Rossum Corporation||Daniel Perrin||Crusading U.S. Senator||Lead a crusade against the Rossum Corporation and the Dollhouse, ultimatly clearing them of any wrong doing.|
|Echo||Unknown||Unknown||Unknown||Unknown, Encounter Whiskey at a formal function (Flashback).|
|Echo||Paul Ballard||Roma Klar||Undercover FBI Agent||Seduce Martin Klar and gather evidence against his illegal activities|
|Sierra||Unknown||Unknown||Older racist woman||Unknown; Romantic?|
|Whiskey||In House||Claire Saunders||Scarred Physician loyal to the cause||House Physician|
Main cast Edit
- Eliza Dushku as Echo/Roma Klar
- Harry Lennix as Boyd Langton
- Fran Kranz as Topher Brink
- Tahmoh Penikett as Paul Ballard
- Enver Gjokaj as Victor
- Dichen Lachman as Sierra
- and Olivia Williams as Adelle DeWitt
- Jamie Bamber as Martin Klar
- Zoran Radanovich as Hugo Taubman
- Nelson Franklin as Burt Styne
- Ben Hermes as Handler
Production went from July 22nd to July 31st, 2009.
- "[T]he episode is superb: funny, suspenseful, sexy and willing to kick around more than a few Very Big Ideas. Combined with the series’ terrific “lost” episode (“Epitaph One”), “Vow” roughly triples my investment in this series’ fate."
- "This might not sound like good news, but it is -- the first episode of the second season of "Dollhouse," is very relaxed. Not a whole lot happens, but this actually could be a good sign. The season premiere, "Vows," (...) feels like it was made to set up the entire season, and not just to grab attention."
- "[W]hereas I spent most of the first season completely frustrated by a show that just felt like an uncharacteristic misfire from Joss Whedon, "Epitaph One" and now "Vows" are strongly hinting at something worth a bigger investment. Dollhouse is still not 100% there yet, as far as truly being appointment TV, but the positives are beginning to take root."
- "[C]ertainly one of the show's better hours and representing a strong focused direction."
- "“Vows” isn’t a perfect DOLLHOUSE episode, but it’s a good one, and it gets Season Two off to a generally engaging start."
- "All in all, I'm still cautiously optimistic about the future of Dollhouse going forward — and I can't wait to see some of the hints about the future in "Epitaph One" start to pay off a bit more as the season unfolds — but "Vows," as a season opener for a show that barely scraped a renewal, is, well... problematic."
- "[T]he show immediately dives into the muck of confused identities and bruised psyches, and expects us to get up to speed quickly. This is not a complaint; quite the contrary, it’s a rare thing for TV creators to have that much respect for a viewer’s intelligence and it’s an excellent sign that Dollhouse intends to move full speed ahead, torpedoes be damned."
- "So yeah, call me a bit underwhelmed by this first episode of season 2. I’m not saying I’m ready to walk away from the series. There are so many reasons to hang on but I’m hoping they’ll slow the pace down just a bit and build up a little more momentum before they continue pushing the overall story arc forward."
- "A lot of haters didn't like this series as much as Whedon's previous ones. I figured the series would be the sort to grow into its own, and I'm seeing evidence of that in this episode."
- "Saunders' struggle to accept that she's really Whiskey - and that she'd rather stay Dr. Saunders then "die" by going back to her true identity - was really well-played by Acker, and the sort of story that typifies "Dollhouse" at its best. Eliza busting out kung fu moves or Dichen Lachman in a Jackie O pillbox house are fun and all, but where "Dollhouse" really gets gripping is when it's asking these existential questions about identity and the soul."
- ""Vows" (...) is clearly an enthusiastic effort to solidify Dollhouse as a series that isn't primarily about this week's adventure. The compartmentalized episodes of the early first season were duds compared to what came later, because Whedon realized that the weekly assignments, while necessary to engage new and casual viewers and to create new conflicts, needed to be leveraged most of all to push the larger stories enmeshing the characters. As a result Whedon is finally navigating in the waters he knows best: building a long-term story through a carefully produced show that's still fun to watch every week."
- "All in all, “Vows” was a good episode, one with some very nice touches — Acker and Kranz’s tete a tete, creation versus creator, was particularly well done — and definitely better than the whole middle chunk of the first season. But it didn’t open the second season with the kind of redefining bang I was hoping it would."
- "Perhaps this show can be turned around after all."
- "The season-two premiere of Dollhouse kept the momentum from its strong finish last season — (...) Lots of meta, moral ambiguity, philosophical questions, great dialogue, memorable quotes, funny asides, awkward interpersonal tension, significant character development and some sort of twist to propel the story forward. Oh… plus, Fozzie Bear."
"Vows" reached 2.56 million viewers, a 1.5/3 Rating/Share, a 1.0/3 Rating/Share in the 18-49 demographic, a 1.0/3 Rating/Share in the 18-34 demographic and a 1.1/3 Rating/Share in the 25-54 demographic. It ranked No. 5 in the hour among Adults 18-49 and No. 3 in Adults 18-34 and Teens.
The half-hour breakdown showed 2.698 million viewers, a 1.0 Rating in the 18-49 demo and 1.0 Rating in the 18-34 demo between 9:00 p.m. and 9:30 p.m., and 2.417 million viewers, a 1.0 Rating in the 18-49 demo and 1.0 Rating in the 18-34 demo between 9:30 p.m. and 10:00 p.m.
The quarter-hour breakdown:
|Time Period||Viewers (millions)||Rating/Share (18-49)|
|9:00 PM-9:15 PM||2.805||1.1/4|
|9:15 PM-9:30 PM||2.345||1.0/3|
|9:30 PM-9:45 PM||2.287||1.0/3|
|9:45 PM-10:00 PM||2.554||1.0/3|
The episode was watched by 3.417 million viewers with seven days of DVR viewing were factored in, and it received a 1.5 Live+7 Rating/Share in the 18-49 demo, which is a 50% past airdate demo increase via DVR (tied with Smallville, that's the biggest percentage increase for broadcast TV shows of that week). 33% of all demo viewing happened past airdate via DVR, that's (again tied with Smallville) the biggest percentage for broadcast TV shows of that week.
Overall "Vows" had 914.000 DVR viewers past its airdate. 26.7% of all viewings of "Vows" happened via DVR and past its airdate, that's the biggest percentage of past airdate DVR viewing for broadcast TV shows of that week.
The episode was watched by 573,000 viewers in Canada.
- This episode could conceivably be seen to provide an early hint about Boyd Langton's actual identity, when a discussion has Claire Saunders questioning whether or not Adelle DeWitt could go over Boyd's head. His response, is cryptically, "I'm very tall".
- Jamie Bamber is billed as a Special Guest Star. This marks the first time he's worked with Tahmoh Penikett since Battlestar Galactica. They played Apollo and Helo respectively.
- When a screener copy of "Vows" was sent out to TV critics before the premiere of Season 2, the following letter from Joss Whedon was attached to it:
|September 1, 2009
Dear Press Member:
You hold in your delicate paws a rough cut of “Vows,” the first episode of the second season of DOLLHOUSE, premiering Friday, Sept. 25 on FOX. More importantly, you also hold a free t-shirt! So that’s a thumbs-up right there, no? I mean, do you even have to watch the show? It’s clearly t-shirt-tastic! Did “Grey’s Anatomy” send you a shirt? They did? (Did they send any extra? I’d kill.)
Meanwhile, DOLLHOUSE. Like a man with the bright-eyed euphoria of narrowly escaped death, DOLLHOUSE is coming back from a hilariously unexpected non-cancellation with a verve, a joy and a visceral excitement that borders on manic. We’re psyched. This is the show we want to make. The twisty lives of the Dollhouse peeps are truckin’ along, and ECHO (Eliza Dushku) is going through one of her fresher Hells.
Some things have changed. We’re shooting in HD with a new crew, for a look that’s more lush and exciting – and faster, so we can achieve more visually and give more time to the actors. (and OMG, Olivia’s hair! Very key.) Some things have not.
To refresh, Echo has been rescued from ALPHA (who is still at large) after having all her former personas dumped into her brain all at once. PAUL BALLARD (Tahmoh Penikett) has agreed to work with the Dollhouse in exchange for NOVEMBER’s (Miracle Laurie) freedom. DR. SAUNDERS (Amy Acker) has discovered she is actually an Active, designate “Whiskey,” who was designed by TOPHER (Fran Kranz) to replace the doctor Alpha murdered. And ADELLE (Olivia Williams) has gotten a fabulous haircut.
We hope you enjoy our happy little tale. If you don’t: t-shirt… so soft… so sleepy…
|Reproduced by Ain't It Cool's Hercules|
- "Hunt Quartet - Adagio" composed by Joseph Haydn
- "Lark Quartet - Adagio Cantabile" composed by Joseph Haydn
- "Hazy" by Rosi Golan ft William Fitzsimmons.
- "The World" by Earlimart.
<ref>tags exist, but no
<references/>tag was found